Four Corners Manhunt, part three
Part two in a behind-the-scenes look at covering a huge manhunt for cop-killer fugitives Robert Matthew Mason, Jason Wayne McVean and Alan “Monte” Pilon, in the Four Corners region of southeastern Utah in May 1998.
At midnight, we drive back to the police roadblocks in the desert around Hovenweep. We get through the first roadblock after they check our IDs and look through the car. We continue on into the desolate wilderness, driving through the pitch darkness on twisty dirt roads. There is not a light to be seen and there is no telling where the cop-killers are. I keep imagining scenarios where they jump in front of our car and hijack us.
A Highway Patrol SUV drives slowly past us. As soon as it passes it flips around behind me, kicking up a cloud of dust. In front of us, a police cruiser comes out nowhere, blocking our path with red and blue lights flashing. I stop as our car is flooded with spotlights. The cops jump out of their cars and pull their guns on us.
“Driver! Get out of the car slowly! With your hands in the air!”
I do as they say and see an assault rifle and pistol pointed directly at my chest. It is one of the strangest moments in my life. I am filled with intense excitement and a sort of joy. Fear is there, but in the background. I immediately regret that for my own safety I can’t photograph the moment.
They get the reporter out of the car and have us turn around slowly to visually check us. Then they move in to check our IDs. A cop holds a gun to my chest while he looks at the press ID on a necklace outside my shirt.
As we’re checked out two more officers emerge from the roadside ditch, where they had been training submachine guns on us.
Once they know we’re with the Tribune, a cop with an assault rifle says, “Which one of you is (name retracted)? He wrote an article about me and I’ve got a few things to say to him!” Luckily that’s not the reporter I’m with this time.
We drive on and hit another roadblock where a similar ID check, without the gun pointing, takes place. Around my neck I’ve got my Tribune press pass as well as a phony backstage pass for the ridiculous heavy metal band Piledriver that I wear as a joke. The officer looks at my press pass, but doesn’t know what to make of the Piledriver pass. He stares at it for a long time but doesn’t say anything.
They get us out of our car to wait for the sheriff, who is driving over from the search HQ to talk to us. As we stand in the dark, moonless night, the reporter tries to make small talk with the officers. They don’t answer to anything.
“Are you guys with the rangers?” the reporter asks. No answer. One of the officers gets irritated with the questions. “I’m not trying to be rude,” he says. “I just don’t want to talk to you.”
The moonless desert sky is lit up with a million stars. A helicopter is flying overhead using an infrared device to locate the fugitives. It flies over us but is invisible even with the stars. The sheriff comes along and answers our questions. This late-night trip doesn’t amount to much, and our deadline has passed long ago. We head back to Blanding to sleep.
part one, Four Corners Manhunt
part two, Four Corners Manhunt
part four, Four Corners Manhunt